Manekiny Tadeusza Kantora
Free on SceneLog — log in or create an account to track it.
Overview
Tadeusz Kantor’s “Theatre of Death” is based on a singular reversal of traditional values: in this work, which indirectly relates to the world of puppetry, death is seen as a positive counter to the values of a consumer society. Thus, in accordance with this perspective, the actor was to appear to the viewer with the same strangeness and the same distance as though surrounding a corpse.
Comments
Be the first to comment.
Leave a comment
Your email won't be published. Comments are reviewed before they appear.