Death of an Equal
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Overview
Using a dialogue from the film Stalker (1979), by Andrei Tarkovski, as a starting point, the work is a free reflection on music and its primal potentiality.
Free on SceneLog — log in or create an account to track it.
Using a dialogue from the film Stalker (1979), by Andrei Tarkovski, as a starting point, the work is a free reflection on music and its primal potentiality.
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