Overview
The film was made by the techniques of photogram and contact-printing 16mm, 8mm found footages on top of unexposed 16mm hi-con film. I am inspired by Man Ray and his rayographs -- "without a camera by placing objects-such as the thumbtacks, coil of wire, and other circular forms used here-directly on a sheet of photosensitized paper and exposing it to light". Man Ray extended the rayograph technique to moving images in "Le Retour à la Raison" (1923)
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